The Artist as Critic: Dance Training, Neuroscience, and Aesthetic Evaluation

Montero argues that an insider's view of dance is in some ways advantageous, in particular, that there are certain aspects of dance--aspects that have to do with the way in which watching dance movements produces an "internal resonance" of these movements in an observer's body--t...

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Bibliographic Details
Published inThe Journal of aesthetics and art criticism Vol. 71; no. 2; pp. 169 - 175
Main Author MONTERO, BARBARA GAIL
Format Journal Article
LanguageEnglish
Published Oxford Blackwell Publishing Ltd 01.05.2013
Wiley Subscription Services, Inc
Oxford University Press
Subjects
Aesthetics
Audiences
Ballet
Cognitive processes
Criticism
Dance
Dance movement
Dance theory
Kinesics
Martin, John
Modern Dance
Motor ability
Movement perception
Musical aesthetics
Observational research
Perception
Perceptual experiences
Spectator
SYMPOSIUM: Dance Art and Science
Visual perception
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Summary:Montero argues that an insider's view of dance is in some ways advantageous, in particular, that there are certain aspects of dance--aspects that have to do with the way in which watching dance movements produces an "internal resonance" of these movements in an observer's body--that tend to be missed, or not fully appreciated, by those who cannot, or at least have never, danced themselves.
Bibliography:istex:498AFD215FF5EC54CE57D48926D0481BDC7DC27A
ArticleID:JAAC12006
ark:/67375/WNG-DRJ16PLD-V
ObjectType-Article-1
SourceType-Scholarly Journals-1
ObjectType-Feature-2
content type line 23
ISSN:0021-8529
1540-6245
DOI:10.1111/jaac.12006