The afterlives of network-based artworks

• Published in: Journal of the Institute of Conservation Vol. 40; no. 2; pp. 105 - 120
• Main Authors: Guez, Emmanuel, Stricot, Morgane, Broye, Lionel, Bizet, Stéphane
• Format: Journal Article
• Language: English
• Published: Abingdon Routledge 04.05.2017; Taylor & Francis Ltd
• Subjects: Archaeology; Art and art history; Computer programs; Conservation; Cultural heritage and museology; dead media; Digital art; Digital curation; Education; Epistemology; Functional anatomy; Hardware; Humanities and Social Sciences; internet art; media archaeology; Media art; Messages; network-based art conservation; Obsolescence; Preservation; Reconstruction; Replicas; second original; Software; telematic art
• ISSN: 1945-5224; 1945-5232
• DOI: 10.1080/19455224.2017.1320299

Due to the obsolescence of software programmes, hardware and network infrastructures, many network-based artworks have disappeared. How can we give them an afterlife? A close look at messages within an international new media curating mailing list reveals that current theories and practices relating to digital art preservation are extensively based on a comparison with performance art and an immaterialist conception of art. This paper aims to challenge these notions and put forward a suggestion as to what we might call the materiality of 'machinic-writing'. It focusses on the media-archaeological reconstruction of a telematic artwork by Eduardo Kac, his Videotext Poems, to develop the idea of what we call a 'second original' artwork. This second original is a sometimes incomplete duplication of a digital work of art which has either disappeared or is non-functional and achieved by reproducing as closely as possible its original conditions in terms of hardware, software and user experience. Its function is aesthetic, educational and epistemological. This paper aims to show that what is at stake is not so much the work of art's afterlife, since it has 'died', but rather its new archival life.