Visual Perception of Expressiveness in Musicians' Body Movements

MUSICIANS OFTEN MAKE GESTURES and move their bodies expressing a musical intention. In order to explore to what extent emotional intentions can be conveyed through musicians' movements, participants watched and rated silent video clips of musicians performing the emotional intentions Happy, Sad...

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Bibliographic Details
Published inMusic perception Vol. 24; no. 5; pp. 433 - 454
Main Authors Dahl, Sofia, Friberg, Anders
Format Journal Article
LanguageEnglish
Published Berkeley University of California Press 01.06.2007
University of California Press Books Division
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Summary:MUSICIANS OFTEN MAKE GESTURES and move their bodies expressing a musical intention. In order to explore to what extent emotional intentions can be conveyed through musicians' movements, participants watched and rated silent video clips of musicians performing the emotional intentions Happy, Sad, Angry, and Fearful. In the first experiment participants rated emotional expression and movement character of marimba performances. The results showed that the intentions Happiness, Sadness, and Anger were well communicated, whereas Fear was not. Showing selected parts of the player only slightly influenced the identification of the intended emotion. In the second experiment participants rated the same emotional intentions and movement character for performances on bassoon and soprano saxophone. The ratings from the second experiment confirmed that Fear was not communicated whereas Happiness, Sadness, and Anger were recognized. The rated movement cues were similar in the two experiments and were analogous to their audio counterpart in music performance.
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ISSN:0730-7829
1533-8312
1533-8312
DOI:10.1525/mp.2007.24.5.433