Dancing with Social Ghosts: Performing Embodiments, Analyzing Critically
This study traces and analyses gestures, postures, and movements in hip‐hop dance to examine circulations of physicalized histories, experiences, and affects of Black and Brown bodies as productions of knowledge. The significance of Black and Brown embodiments as excess that accumulates over time wh...
Saved in:
Published in | Transforming anthropology Vol. 21; no. 1; pp. 4 - 14 |
---|---|
Main Author | |
Format | Journal Article |
Language | English |
Published |
Arlington
Blackwell Publishing Ltd
01.04.2013
The University of Chicago Press |
Subjects | |
Online Access | Get full text |
Cover
Loading…
Summary: | This study traces and analyses gestures, postures, and movements in hip‐hop dance to examine circulations of physicalized histories, experiences, and affects of Black and Brown bodies as productions of knowledge. The significance of Black and Brown embodiments as excess that accumulates over time when their presence is undertheorized, concealed, or sidestepped is considered. At the intersection of theory and methodology, a framework of embodiment is presented toward imagining the possibilities that can be created in qualitative social science research when Black and Brown bodies are acknowledged as sites of knowledge production and when critical embodiments are accessed and confronted rather than evacuated. |
---|---|
Bibliography: | ark:/67375/WNG-3WQTX181-M istex:028E30763D16ACA16EA22CE444268616BE131787 ArticleID:TRAA12002 ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 23 |
ISSN: | 1051-0559 1548-7466 |
DOI: | 10.1111/traa.12002 |