Dancing with Social Ghosts: Performing Embodiments, Analyzing Critically

This study traces and analyses gestures, postures, and movements in hip‐hop dance to examine circulations of physicalized histories, experiences, and affects of Black and Brown bodies as productions of knowledge. The significance of Black and Brown embodiments as excess that accumulates over time wh...

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Bibliographic Details
Published inTransforming anthropology Vol. 21; no. 1; pp. 4 - 14
Main Author Roberts, Rosemarie A.
Format Journal Article
LanguageEnglish
Published Arlington Blackwell Publishing Ltd 01.04.2013
The University of Chicago Press
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Summary:This study traces and analyses gestures, postures, and movements in hip‐hop dance to examine circulations of physicalized histories, experiences, and affects of Black and Brown bodies as productions of knowledge. The significance of Black and Brown embodiments as excess that accumulates over time when their presence is undertheorized, concealed, or sidestepped is considered. At the intersection of theory and methodology, a framework of embodiment is presented toward imagining the possibilities that can be created in qualitative social science research when Black and Brown bodies are acknowledged as sites of knowledge production and when critical embodiments are accessed and confronted rather than evacuated.
Bibliography:ark:/67375/WNG-3WQTX181-M
istex:028E30763D16ACA16EA22CE444268616BE131787
ArticleID:TRAA12002
ObjectType-Article-1
SourceType-Scholarly Journals-1
ObjectType-Feature-2
content type line 23
ISSN:1051-0559
1548-7466
DOI:10.1111/traa.12002