It is all in the mix: The interactive effect of music tempo and mode on in-store sales
Though practitioners have relied on tempo as a criterion to design in-store music, scant attention has been devoted to the mode of musical selections, and no consideration has been given to the potential for the interactive effects of low-level structural elements of music on actual retail sales. Th...
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Published in | Marketing letters Vol. 23; no. 1; pp. 325 - 337 |
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Main Authors | , , , |
Format | Journal Article |
Language | English |
Published |
Boston
Springer Science + Business Media
01.03.2012
Springer US Springer Nature B.V |
Subjects | |
Online Access | Get full text |
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Summary: | Though practitioners have relied on tempo as a criterion to design in-store music, scant attention has been devoted to the mode of musical selections, and no consideration has been given to the potential for the interactive effects of low-level structural elements of music on actual retail sales. The current research reports a field experiment wherein the positive main effect of slow tempo on actual sales reported by Milliman (J Marketing 46 (3): 86-91, 1982, J Cons Res 13 (2): 286-289, 1986) is qualified by musical mode. A significant interaction between tempo and mode was evidenced, such that music in a major mode did not vary in effectiveness by tempo while music in a minor mode was significantly more effective when accompanied by a slow tempo. That is, the Milliman effect was eliminated for music in a major mode. Implications of our findings and directions for further research are discussed. |
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Bibliography: | ObjectType-Article-2 SourceType-Scholarly Journals-1 ObjectType-Feature-1 content type line 23 |
ISSN: | 0923-0645 1573-059X |
DOI: | 10.1007/s11002-011-9156-z |