Netflix original series, global audiences and discourses of streaming success
This article examines the discourses of streaming success within the television industry by focusing on Netflix and two of the service’s original series: Fauda and La Casa de Papel. Using publicly available secondary data through 2019, this analysis argues the transnational platform’s efforts to red...
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Published in | Critical studies in television Vol. 18; no. 1; pp. 81 - 100 |
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Main Authors | , |
Format | Journal Article |
Language | English |
Published |
London, England
SAGE Publications
01.03.2023
Sage Publications Ltd |
Subjects | |
Online Access | Get full text |
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Summary: | This article examines the discourses of streaming success within the television industry by focusing on Netflix and two of the service’s original series: Fauda and La Casa de Papel. Using publicly available secondary data through 2019, this analysis argues the transnational platform’s efforts to redefine successful television while maintaining a high level of data secrecy necessitate the discursive construction of a global and undifferentiated audience. Yet, rather than representing a break with the past, the discourses of streaming success reveal Netflix to be a television institution attempting to address traditional industry challenges. |
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ISSN: | 1749-6020 1749-6039 |
DOI: | 10.1177/17496020211037259 |