A new approach to the determination of the synthetic or natural origin of red pigments through spectroscopic analysis

This work suggests a way of differentiation between the natural or synthetic origin of inorganic materials that were historically used in the Cultural Heritage field. An exhaustive review of different reported procedures of synthesis of pigments was conducted, as well as a review of the accompanying...

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Published inSpectrochimica acta. Part A, Molecular and biomolecular spectroscopy Vol. 166; pp. 103 - 111
Main Authors Franquelo, Maria Luisa, Perez-Rodriguez, Jose Luis
Format Journal Article
LanguageEnglish
Published England Elsevier B.V 05.09.2016
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Summary:This work suggests a way of differentiation between the natural or synthetic origin of inorganic materials that were historically used in the Cultural Heritage field. An exhaustive review of different reported procedures of synthesis of pigments was conducted, as well as a review of the accompanying minerals in case of natural pigments. The natural or synthetic origin of the pigments studied in this work was performed through the characterization of the accompanying minerals, in the case of the natural pigments, or the trace elements that are present as part of synthesis by-products or washing/purifying reagents and/or reactants that have only been partly removed in the final steps of these processes. This work characterized red pigments due to their wide variety, complexity and possibility of use in different mixtures. The following pigments were studied: cinnabar-vermilion, red lead and iron pigments. Also mixtures of these pigments between them and with red lake were also studied. Natural cinnabar was accompanied by silicon oxide (opal, chalcedony or quartz), calcite, clay minerals and, sometimes, pyrite. K together with S indicated a synthetic pigment (vermilion) obtained through the wet method. Nevertheless, K has not been found in layers containing only vermilion in our samples. The presence of Sn in some cases indicated vermilion that came from the dry process. K from the synthesis always appeared in the red lead pigment. The red natural ochre was confirmed by presence of clay minerals and iron. It should be said that Ca and S, and sometimes Al and K, were usually found in Mars red pigment. The presence of Al and Ca allowed the identification of carmine lake. [Display omitted] •Discrimination of the natural or artificial origin of red pigments is proposed.•The μ-Raman, μ-FTIR and EDX allowed the confirmation of natural or synthetic origin.•The minor minerals or trace elements present determined the natural/synthetic origin.•The guidelines for the determination of the natural/synthetic origin are proposed.•This study clarifies the painting uncertainties of Andalusia Cultural Heritage.
ISSN:1386-1425
1873-3557
DOI:10.1016/j.saa.2016.04.054