Information Labour and Shame in Farmer and Chevli’s Abortion Eve

This article conducts the first in-depth political-aesthetic analysis of Joyce Farmer and Lyn Chevli’s Abortion Eve. In this article we argue that Abortion Eve uses its visual form in a way that cuts between the contexts of later forms of graphic medicine and feminist comix, and in so doing contribu...

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Bibliographic Details
Published inThe comics grid Vol. 9; no. 1; p. 6
Main Authors McGovern, Melanie, Paul Eve, Martin
Format Journal Article
LanguageEnglish
Published Cambridge Open Library of Humanities 03.04.2019
Subjects
Abortion
Aesthetics
Chevli, Lyn
Comics
Farmer, Joyce
Feminism
graphic medicine
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Summary:This article conducts the first in-depth political-aesthetic analysis of Joyce Farmer and Lyn Chevli’s Abortion Eve. In this article we argue that Abortion Eve uses its visual form in a way that cuts between the contexts of later forms of graphic medicine and feminist comix, and in so doing contributed to a political culture of feminist information sharing, through a self-published visual medium.
ISSN:2048-0792
2048-0792
DOI:10.16995/cg.158