Voices of Climate Change
The authors, an artist and a geophysicist, present three different approaches to art-science projects, depicting hybrid models of interdisciplinarity, particularly via sound art. They first cooperate to create an art installation using sonified seismic data collected in Antarctica, moving then to vi...
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Published in | Leonardo (Oxford) Vol. 57; no. 4; pp. 428 - 433 |
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Main Authors | , |
Format | Journal Article |
Language | English |
Published |
One Rogers Street, Cambridge, MA 02142-1209, USA
MIT Press
01.08.2024
The MIT Press MIT Press Journals, The |
Subjects | |
Online Access | Get full text |
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Summary: | The authors, an artist and a geophysicist, present three different approaches to art-science projects, depicting hybrid models of interdisciplinarity, particularly via sound art. They first cooperate to create an art installation using sonified seismic data collected in Antarctica, moving then to vibrational data at a seismic deployment in the Jornada desert, New Mexico, envisioning a site-specific listening approach that would effectively merge art and science. The authors propose new models of collaboration in ever-more-urgent global responses to the climate crisis, revealing what we might call the “voices” of climate change. |
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Bibliography: | 2024 ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 14 |
ISSN: | 0024-094X 1530-9282 |
DOI: | 10.1162/leon_a_02473 |