‘What Europeans Saw of Europe’: Medial Construction of European Identity in Information Films and Newsreels in the 1950s

This article examines Austrian, British, French and German newsreels and European information films produced in the period from 1948 to 1958 either by private and semi-private newsreel companies or transnational, supranational and national institutions like the Economic Cooperation Administration, C...

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Bibliographic Details
Published inJournal of contemporary European research Vol. 10; no. 1; pp. 26 - 43
Main Authors Bruch, Anne, Pfister, Eugen
Format Journal Article
LanguageEnglish
Published London University Association for Contemporary European Studies 01.01.2014
UACES
Subjects
Decision making
European iconography
European identity
European institutions
European integration
images of Europe
Integration
political communication
Public relations campaigns
Sensory integration
Short films
Europe
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Summary:This article examines Austrian, British, French and German newsreels and European information films produced in the period from 1948 to 1958 either by private and semi-private newsreel companies or transnational, supranational and national institutions like the Economic Cooperation Administration, Council of Europe, European Coal and Steel Community. These newsreel items and short films are not only records from the beginning and consolidation of the European integration project but also political instruments in this process. On the one hand, they informed the public about the new institutions, their purposes as well as their decision-making procedures; on the other hand, they were intended to create a European identity by rewriting a collective cultural and historical memory. By means of these films, some of them being part of the public relations campaigns of various European institutions and newsreel companies, a consistent picture of ‘Europe’ was shaped. This audiovisual representation of Europe as a geographical and historical entity, or, respectively, ‘the idea of European integration’, was not only a result of a political discourse but also a cultural continuation of a centuries-old iconographic tradition. This article aims at broadening the academic debate on a European identity by analysing the political communication process of the European Integration in the 1950s.
ISSN:1815-347X
1815-347X
DOI:10.30950/jcer.v10i1.558