Non-destructive identification of pigments printed on six Imperial China Engraved Coiling Dragon stamps

Raman spectroscopy was employed to investigate six Imperial China Engraved Coiling Dragon stamps non‐destructively. The results have shown that (1) the main colors (yellow, green, scarlet, brown, vermilion, and blue) on the six stamps were all prepared from inorganic pigments, including chrome yello...

Full description

Saved in:
Bibliographic Details
Published inJournal of Raman spectroscopy Vol. 47; no. 3; pp. 316 - 320
Main Authors Zhou, Wen-hua, Gan, Qing, Ji, Jin-xin, Yao, Na, Wang, Ji-gang, Zhou, Zhong, Qi, Xiao-kun, Shi, Ji-long
Format Journal Article
LanguageEnglish
Published Bognor Regis Blackwell Publishing Ltd 01.03.2016
Wiley Subscription Services, Inc
Subjects
Online AccessGet full text

Cover

Loading…
More Information
Summary:Raman spectroscopy was employed to investigate six Imperial China Engraved Coiling Dragon stamps non‐destructively. The results have shown that (1) the main colors (yellow, green, scarlet, brown, vermilion, and blue) on the six stamps were all prepared from inorganic pigments, including chrome yellow, chrome orange, Prussian blue, red lead, magnesium sulfate hydrate, and ultramarine blue. (2) Raman spectrometer has been allowed for successfully identifying the molecular structure of the pigments printed on the six examined stamps, suggesting that such a dual analytical approach could satisfy the need for pigment identification on stamps. (3) The finding that certain pigments were intentionally mixed to produce a whole different hue or color, the mechanism of which could be explained by theories of chromatology and metamerism, also provides new insight into the future conservation, authentication, and restoration of the early printings. Copyright © 2015 John Wiley & Sons, Ltd. Raman spectroscopy was employed to investigate six Imperial China Engraved Coiling Dragon stamps non‐destructively. The main colors (yellow, green, scarlet, brown, vermilion, and blue) on the six stamps were all prepared from inorganic pigments. The finding that certain pigments were intentionally mixed to produce a whole different hue or color, the mechanism of which could be explained by theories of chromatology and metamerism, also provides new insight into the future conservation, authentication, and restoration of the early printings.
Bibliography:istex:DB03EEADBA85BC0B06434C2ED161A2E47D44EBDC
ark:/67375/WNG-GRVP8MXK-Q
National Key Technology R&D Program - No. 2014BAH07F01
Beijing Municipal Science & Technology Commission - No. 2010B034
Beijing Institute of Graphic Communication Key Project - No. E-a-2013-21
ArticleID:JRS4811
ObjectType-Article-1
SourceType-Scholarly Journals-1
ObjectType-Feature-2
content type line 23
ISSN:0377-0486
1097-4555
DOI:10.1002/jrs.4811