The Discrete Charm of the Glitch

No process, however technologically advanced, is without its glitches. Architectural historian and theorist Marrikka Trotter, who teaches at the Southern California Institute of Architecture (SCI‐Arc), sees this fact as a positive where the Discrete is concerned. Here she explores themes of continui...

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Bibliographic Details
Published inArchitectural design Vol. 89; no. 2; pp. 124 - 129
Main Author Trotter, Marrikka
Format Journal Article
LanguageEnglish
Published Chichester, UK John Wiley & Sons, Ltd 01.03.2019
Wiley Subscription Services, Inc
Subjects
2017 Tallinn Architecture Biennale
A Bird's Eye View of the Bank of England
Agustina Alaines
Architecture
Belgium
Borna Nassab
Diamonds House
Eden
Edge Masters of Architecture and Technology
Galileo Morandi
Geomorphic Aggregates
Gilbert Simondon
Gilles Retsin
Graham Harman
Hoax Urbanism
Jenga‐block configurations
Joseph Michael Gandy
Lego
Lima Art Museum
Los Angeles
M Casey Rehm
Peru
Philosophy
Powder Mountain House
Saturate Tower
SCI‐Arc 4.0, undergraduate studio project
Sir John Soane
Southern California Institute of Architecture (SCI‐Arc)
Stefan Svedberg
Sunset Boulevard
Sunset Strip
supercomponents
Technology
tesseracts
Theory
Tom Wiscombe
Tom Wiscombe Architecture
Utah
West Hollywood Belltower
Yves Lu
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Summary:No process, however technologically advanced, is without its glitches. Architectural historian and theorist Marrikka Trotter, who teaches at the Southern California Institute of Architecture (SCI‐Arc), sees this fact as a positive where the Discrete is concerned. Here she explores themes of continuity and becoming in the work of architects M Casey Rehm, Gilles Retsin and Tom Wiscombe, with reference to French philosopher Gilbert Simondon's theory of individuation.
Bibliography:ObjectType-Article-1
SourceType-Scholarly Journals-1
ObjectType-Feature-2
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ISSN:0003-8504
1554-2769
DOI:10.1002/ad.2421