Experience‐induced Malleability in Neural Encoding of Pitch , Timbre , and Timing Implications for Language and Music
Speech and music are highly complex signals that have many shared acoustic features. Pitch , Timbre , and Timing can be used as overarching perceptual categories for describing these shared properties. The acoustic cues contributing to these percepts also have distinct subcortical representations wh...
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Published in | Annals of the New York Academy of Sciences Vol. 1169; no. 1; pp. 543 - 557 |
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Main Authors | , , , |
Format | Journal Article |
Language | English |
Published |
01.07.2009
|
Online Access | Get full text |
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Summary: | Speech and music are highly complex signals that have many shared acoustic features.
Pitch
,
Timbre
, and
Timing
can be used as overarching perceptual categories for describing these shared properties. The acoustic cues contributing to these percepts also have distinct subcortical representations which can be selectively enhanced or degraded in different populations. Musically trained subjects are found to have enhanced subcortical representations of
pitch
,
timbre
, and
timing
. The effects of musical experience on subcortical auditory processing are pervasive and extend beyond music to the domains of language and emotion. The sensory malleability of the neural encoding of
pitch
,
timbre
, and
timing
can be affected by lifelong experience and short‐term training. This conceptual framework and supporting data can be applied to consider sensory learning of speech and music through a hearing aid or cochlear implant. |
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ISSN: | 0077-8923 1749-6632 |
DOI: | 10.1111/j.1749-6632.2009.04549.x |