Governmental Fictions: The Naturalist Novel and the Making of Population in Fin-de-Siècle Brazil
In this article, I want to explore three Brazilian fin-de-siecle novels that inaugurated a true aesthetic revolution that would have as its main subject of interest the governmentality of bourgeois conduct. A carne (1888) by Julio Ribeiro, A intrusa (1908) by Júlia Lopes de Almeida, and Hóspede (188...
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Published in | Taller de letras Vol. 66; no. 66; pp. 167 - 183 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Santiago
Pontificia Universidad Catolica de Chile, Instituto de Letras
01.01.2020
Pontificia Universidad Católica de Chile, Instituto de Historia |
Subjects | |
Online Access | Get full text |
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Summary: | In this article, I want to explore three Brazilian fin-de-siecle novels that inaugurated a true aesthetic revolution that would have as its main subject of interest the governmentality of bourgeois conduct. A carne (1888) by Julio Ribeiro, A intrusa (1908) by Júlia Lopes de Almeida, and Hóspede (1887) by Pardal Mallet allow an examination of how the novel in turn-of-the-century Brazil assumed a governmental strategy of sex. I argue that these nation-building writers/pedagogues promoted a program of sexual conduct oriented toward the conservation of the institutionality of marriage, family, and reproduction. I demonstrate how female education not associated with the domestic space, inter-class marriage, promiscuity, and adultery were portrayed as transgressions against the biological futures of patrician circles. |
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Bibliography: | ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 14 |
ISSN: | 0716-0798 |
DOI: | 10.7764/tl66167-183 |