A Liber Precum in Sélestat and the Development of the Illustrated Prayer Book in Germany

The twelfth century marks a turning point in the history of the prayer book. During the first Christian millenium, pictures played only a limited role in prayer and in narrative imagery almost none, but by the later Middle Ages extensive cycles of narrative illustration appeared in books of prayer a...

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Bibliographic Details
Published inThe Art bulletin (New York, N.Y.) Vol. 73; no. 2; pp. 209 - 236
Main Author Hamburger, Jeffrey F.
Format Journal Article
LanguageEnglish
Published New York, etc College Art Association of America 01.06.1991
College Art Association, Inc
Subjects
Christianity
Crosses
History
Iconography
Illustration
Medieval literature
Meditation
Nuns
Prayer
Religious orders
Temptation
Theology
Germany-pre-1945
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Summary:The twelfth century marks a turning point in the history of the prayer book. During the first Christian millenium, pictures played only a limited role in prayer and in narrative imagery almost none, but by the later Middle Ages extensive cycles of narrative illustration appeared in books of prayer across Europe. Focusing on developments in Germany, this article argues that the cura monialium or pastoral care of nuns provided a seminal context for the development of early illustrated prayer books. A newly discovered liber precum in Sélestat serves as the point of departure for a reevaluation of the so-called Prayer Book of Hildegard of Bingen, the most profusely illustrated prayer book from twelfth-century Germany. Analysis of the prayers as well as the images in this group of manuscripts suggests that the history of prayer books with narrative illustrations should be carried to the very beginning of the twelfth century, if not even earlier, and that, within the context of monastic reform, female patrons and recipients of prayer books had a formative role in this development.
ISSN:0004-3079
1559-6478
DOI:10.2307/3045791