Hijabi Girlhood in the Intersections Violence, Resistance, Reclamation

• Published in: Girlhood studies Vol. 16; no. 3; pp. ix - xxi
• Main Authors: Almanssori, Salsabel, Saleh, Muna
• Format: Journal Article
• Language: English
• Published: New York Berghahn Books, Inc 22.12.2023
• Subjects: Abused women; Costume, Islamic; Females; Forecasts and trends; Hijab (Custom); Islamic clothing; Market trend/market analysis; Oppression; Violence; Women; Canada
• ISSN: 1938-8209; 1938-8322
• DOI: 10.3167/ghs.2023.160302

Although hijab has long been a subject of fascination in western 1 culture for some time, in the last several years the girl in hijab has been in the sociopolitical spotlight. As Katherine Bullock and Gul Jafri (2000) noted over twenty years ago, “Because of this Western cultural fixation on Muslim women's dress as a symbol of oppression, Muslim women often have to focus on that aspect of their identity as well, even if they would rather talk of something else” (37). With hijab being the most visible way to identify and be identified as Muslim as Wahiba Abu-Ras and Zulema Suarez (2009 along with Hodan Mohamed (2017) remind us, those who observe hijab with their dress experience the world in unique ways. The experiences of girls and young women in hijab are undoubtedly shaped by what Kimberlé Crenshaw (1989) and Patricia Hill Collins (2015) call intersectionality and under bell hooks's (2013) conceptualization of interlocking systems of domination. Central to these systems of oppression that shape the lives of Muslim girls and women are Edward Said's (1978) concept of Orientalism and what Jasmin Zine (2006) terms gendered Islamophobia as Lila Abo-Lughod's (2013) discussion of dominant narratives of Muslim women as oppressed clearly demonstrates.