The deixis of literature: On the conditions for recognizing computers as authors
Taking the deictic judgment that is the modernist gesture of declaring something to be art as a starting point, this essay suggests an analogous deixis as a necessary condition for literature. This deixis also can serve as the basis for discussing the expectations of computer‐generated texts. Agains...
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| Published in | Orbis litterarum Vol. 79; no. 4; pp. 309 - 322 |
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| Main Author | |
| Format | Journal Article |
| Language | English |
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01.08.2024
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| Abstract | Taking the deictic judgment that is the modernist gesture of declaring something to be art as a starting point, this essay suggests an analogous deixis as a necessary condition for literature. This deixis also can serve as the basis for discussing the expectations of computer‐generated texts. Against the idea that computers or AI systems need only produce sufficiently good output in order to be considered authors, the essay proposes an approach that takes the social recognition of the deictic act within a community of judgment as a precondition for authorship. As an alternative to the Turing test, which is based on the paradigm of deception (people are tricked into considering computer‐written text to be written by humans), the essay favors a version of Susan Leigh Star's “Durkheim test,” which is based on the paradigm of co‐sociality (people directly recognize computers as social actors). Only if the gesture of a machine declaring something to be art is recognized as a deictic judgment in the full sense can one plausibly speak of computer authorship. |
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| AbstractList | Taking the deictic judgment that is the modernist gesture of declaring something to be art as a starting point, this essay suggests an analogous deixis as a necessary condition for literature. This deixis also can serve as the basis for discussing the expectations of computer‐generated texts. Against the idea that computers or AI systems need only produce sufficiently good output in order to be considered authors, the essay proposes an approach that takes the social recognition of the deictic act within a community of judgment as a precondition for authorship. As an alternative to the Turing test, which is based on the paradigm of deception (people are tricked into considering computer‐written text to be written by humans), the essay favors a version of Susan Leigh Star's “Durkheim test,” which is based on the paradigm of co‐sociality (people directly recognize computers as social actors). Only if the gesture of a machine declaring something to be art is recognized as a deictic judgment in the full sense can one plausibly speak of computer authorship. Taking the deictic judgment that is the modernist gesture of declaring something to be art as a starting point, this essay suggests an analogous deixis as a necessary condition for literature. This deixis also can serve as the basis for discussing the expectations of computer‐generated texts. Against the idea that computers or AI systems need only produce sufficiently good output in order to be considered authors, the essay proposes an approach that takes the social recognition of the deictic act within a community of judgment as a precondition for authorship. As an alternative to the Turing test, which is based on the paradigm of deception (people are tricked into considering computer‐written text to be written by humans), the essay favors a version of Susan Leigh Star's “Durkheim test,” which is based on the paradigm of co‐sociality (people directly recognize computers as social actors). Only if the gesture of a machine declaring something to be art is recognized as a deictic judgment in the full sense can one plausibly speak of computer authorship. |
| Author | Bajohr, Hannes |
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| Copyright | 2024 The Authors. published by John Wiley & Sons Ltd. 2024. This article is published under http://creativecommons.org/licenses/by-nc-nd/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. |
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| Notes | This text was first presented in an earlier version as a talk I gave at the 27th Germanist Conference 2022 in Paderborn. I would like to thank Annette Gilbert, Stephanie Catani, Marlene Meuer, Niels Penke, Sandro Zanetti, Jules Pelta Feldman, and two anonymous reviewers for their comments. |
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| Title | The deixis of literature: On the conditions for recognizing computers as authors |
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