The deixis of literature: On the conditions for recognizing computers as authors

Taking the deictic judgment that is the modernist gesture of declaring something to be art as a starting point, this essay suggests an analogous deixis as a necessary condition for literature. This deixis also can serve as the basis for discussing the expectations of computer‐generated texts. Agains...

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Bibliographic Details
Published inOrbis litterarum Vol. 79; no. 4; pp. 309 - 322
Main Author Bajohr, Hannes
Format Journal Article
LanguageEnglish
Published Malden Wiley Subscription Services, Inc 01.08.2024
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Summary:Taking the deictic judgment that is the modernist gesture of declaring something to be art as a starting point, this essay suggests an analogous deixis as a necessary condition for literature. This deixis also can serve as the basis for discussing the expectations of computer‐generated texts. Against the idea that computers or AI systems need only produce sufficiently good output in order to be considered authors, the essay proposes an approach that takes the social recognition of the deictic act within a community of judgment as a precondition for authorship. As an alternative to the Turing test, which is based on the paradigm of deception (people are tricked into considering computer‐written text to be written by humans), the essay favors a version of Susan Leigh Star's “Durkheim test,” which is based on the paradigm of co‐sociality (people directly recognize computers as social actors). Only if the gesture of a machine declaring something to be art is recognized as a deictic judgment in the full sense can one plausibly speak of computer authorship.
Bibliography:This text was first presented in an earlier version as a talk I gave at the 27th Germanist Conference 2022 in Paderborn. I would like to thank Annette Gilbert, Stephanie Catani, Marlene Meuer, Niels Penke, Sandro Zanetti, Jules Pelta Feldman, and two anonymous reviewers for their comments.
ISSN:0105-7510
1600-0730
DOI:10.1111/oli.12450