Prison (E)scapes and Body Tropes: Older Women in the Prison Time Machine

• Published in: Body & society Vol. 11; no. 2; pp. 59 - 79
• Main Authors: Wahidin, Azrini, Tate, Shirley
• Format: Journal Article
• Language: English
• Published: London, Thousand Oaks and New Delhi SAGE Publications 01.06.2005
• Subjects: Aged; Agency; Body; Cultural studies; Elderly; Embodiment; Female Offenders; Human agency; Identity; Identity management; Imprisonment; Offenders; Older women; Performativity; Prisoners; Prisonization; Prisons; Sex Role Identity; Space and Time; Temporal aspects; Time; Women; time; agency; body; prison; identity; older female offender
• ISSN: 1357-034X; 1460-3632
• DOI: 10.1177/1357034X05052462

The focus of this article will be on inserting the words of older women in prison into debates on time, agency and gendered identities in total institutions. Specifically, the article will address the complexity and contradictions of the time of ‘a mediated real’, and how this impacts on embodied identities within prison timescapes. This will be explored through looking at how prison-time as a ‘somatic identity cipher’ functions performatively in the construction of older women’s identities. The article will also examine how female elders in prison become agents and negotiate techniques of discipline. The role of prison-time will be shown to be simultaneously experienced as further punishment while also being resisted as we draw out the relationship between temporality, spaces of incarceration and identification. First, we will locate the field in terms of issues of theory and method. Then we will look at performativity, identity and time in negotiating, acquiescing to and resisting the identity ‘prisoner’. This will enable us to understand the role and meaning of time in relation to how females in prison are compelled to reiterate and negotiate the identity ‘prisoner’ within the discipline of ‘the time of incarceration’. We hope to demonstrate through the voices of the women that there is no single abstract imprisoned body. These are real bodies, fleshy, sensate bodies that experience real pain; at the same time, these bodies are not simply given but also interpreted, mediated and in part constituted in social and cultural meanings. This enables us to show that the body can be both a generator and receptor of meanings.