Transformations in Midsummer’s Eve Celebrations in Soviet and Post-Soviet Latvia

Celebrations are constantly exposed to gradual transformation processes promoted by diverse historical, political and social factors. This qualitative study is based on data from semi-structured interviews conducted in the southeastern region of Latvia, Latgale. It analyses transformations in the ce...

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Published inSlovenský národopis Vol. 71; no. 4; pp. 319 - 341
Main Authors Kačāne, Ilze, Kovzele, Oksana
Format Journal Article
LanguageEnglish
Published Bratislava SAV - Slovenská akadémia vied - Ústav etnológie a sociálnej antropológie Slovenskej akadémie vied 01.01.2023
SAS - Slovak Academy of Sciences - Institute of Ethnology and Social Anthropology
Slovak Academy of Sciences, Institute of Ethnology
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ISSN1335-1303
1339-9357
1339-9357
DOI10.31577/SN.2023.4.32

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Summary:Celebrations are constantly exposed to gradual transformation processes promoted by diverse historical, political and social factors. This qualitative study is based on data from semi-structured interviews conducted in the southeastern region of Latvia, Latgale. It analyses transformations in the celebration of the summer solstice festival –Midsummer’s Eve (Jāņi) – from the synchronic (at a specific point in time) and diachronic (through different periods in history) perspectives: during the Soviet period from the 1940s to 1980s, and from the late 1980s in the frame of “national awakening” and current trends of globalisation. A form of Latvian pagan heritage involving traditions such as singing, dancing, searching for a fern flower, fortune telling, lighting a bonfire and waiting for sunrise, the festival has remained functional throughout the Christian era. From the proclamation of the Republic of Latvia (1918) until 1940, it continued to be fundamental for the construction and preservation of Latvian national and ethnic identity. Under the Soviet occupation (1940–1941; 1944/45–1990), the festival underwent damaging transformations and was used as a political and ideological tool of Sovietisation and Russification. Midsummer’s Eve is still widely celebrated today; however, the imprint of “new” Soviet traditions and modern-day commercialisation manifests itself as alienation from ancient traditions and results in simplified perceptions of celebration and kitsch performances.
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ISSN:1335-1303
1339-9357
1339-9357
DOI:10.31577/SN.2023.4.32