Exploring Canarian humour in the first locally produced sitcom in RTVC

Between December 2011 and May 2012, the public television channel (RTVC) in the Canary Islands (Spain) aired, in prime time, the first locally produced situation comedy. Titled La Revoltosa (henceforth LR), it was the most ambitious production in the channel’s more than 14 years of existence. This s...

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Bibliographic Details
Published inEuropean journal of humour research Vol. 1; no. 4; pp. 35 - 57
Main Author Gonzalez-Cruz, Maria-Isabel
Format Journal Article
LanguageEnglish
Published Krakowskie Towarzystwo Popularyzowania Wiedzy o Komunikacji Językowej Tertium 01.05.2014
Cracow Tertium Society for the Promotion of Language Studies
Subjects
Anthropology
Applied Linguistics
Communication studies
Cultural Anthropology / Ethnology
Culture and social structure
Customs / Folklore
Language and Literature Studies
linguistic humour, stereotypes, canarian spanish, sit-coms
Pragmatics
Social Sciences
Sociolinguistics
Sociology
Theoretical Linguistics
stereotypes
Canarian Spanish
sitcoms
linguistic humour
Canarian humour
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Summary:Between December 2011 and May 2012, the public television channel (RTVC) in the Canary Islands (Spain) aired, in prime time, the first locally produced situation comedy. Titled La Revoltosa (henceforth LR), it was the most ambitious production in the channel’s more than 14 years of existence. This series was said to display a humorous interpretation of Canarian society. Indeed, according to the executive producer, the characters reflected ordinary Canarian families. One of the attractions of the series was the inclusion of popular Canarian comedian Manolo Vieira as the main protagonist. In this paper, I briefly outline the strategies typically used by this important figure of Canarian humour before I discuss two episodes of LR to explore the resources they employ to provoke humour. Particularly, I study the role played by language, and analyse how characters and situations are portrayed, thus examining universal humour in contrast to regional or ethnic humour. This comparison between the humour strategies used by Manolo Vieira and the ones employed in LR will enable us to determine to what extent this sitcom favours the Canarian (ethnic) humour traditionally represented by Vieira or rather resorts to more general (universal) humour strategies and stereotypes.
ISSN:2307-700X
2307-700X
DOI:10.7592/EJHR2013.1.4.gonzalezcruz