Hurt Feelings: Affect, World, and Time in As You Like It and Early Modern Studies
Engaging current affect theory through the work of Jean-Luc Nancy, Martin Heidegger, and Walter Benjamin, "Hurt Feelings" argues that affect should be understood neither as a form of embodiment nor of sympathetic correspondence but as a state of incommensurability between self and world th...
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Published in | ELH Vol. 90; no. 4; pp. 955 - 977 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Baltimore
Johns Hopkins University Press
01.12.2023
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Subjects | |
Online Access | Get full text |
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Summary: | Engaging current affect theory through the work of Jean-Luc Nancy, Martin Heidegger, and Walter Benjamin, "Hurt Feelings" argues that affect should be understood neither as a form of embodiment nor of sympathetic correspondence but as a state of incommensurability between self and world that is at the same time the originative condition of those categories; rather than extending the self into the world, affect concerns the possibility of world as such. The essay brings such claims to bear on a scene of miraculous conversion in As You Like It that suggests both the grounds of theater's affective hold and affect's inextricable relation to our status as historical beings. |
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ISSN: | 0013-8304 1080-6547 1080-6547 |
DOI: | 10.1353/elh.2023.a914012 |