‘Choreopiscopally’: James Joyce's ‘Nausicaa’ and Vaslav Nijinsky's The Afternoon of a Faun

One striking commonality between Vaslav Nijinsky's The Afternoon of a Faun (1912) and the ‘Nausicaa’ chapter in James Joyce's Ulysses (1922) is that both culminate with masturbation scenes and were met with similar reactions – outrage and censorship. Upon closer consideration, the similari...

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Bibliographic Details
Published inModernist cultures Vol. 17; no. 1; p. 27
Main Author Argyrides, Patty
Format Journal Article
LanguageEnglish
Published Edinburgh Edinburgh University Press 01.02.2022
Subjects
Ballet
Case studies
Censorship
Dance
Embodiment
Innovations
Joyce, James (1882-1941)
Masturbation
Modernism
Modernity
Nijinsky, Vaslav
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Summary:One striking commonality between Vaslav Nijinsky's The Afternoon of a Faun (1912) and the ‘Nausicaa’ chapter in James Joyce's Ulysses (1922) is that both culminate with masturbation scenes and were met with similar reactions – outrage and censorship. Upon closer consideration, the similarities between Faun and Ulysses reach far beyond the climactic solos of Leopold Bloom and Nijinsky as the Faun. In Ulysses , Joyce choreographs the words on the page, the fictional bodies of his characters’ movements through Dublin, and elicits embodied responses from his readers. Using ‘Nausicaa’ and Faun as my case study, I reveal the significant parallels between Nijinsky and Joyce as they both present their vision of modernity through the body. As a former dancer, I understand, physically the innovation to the form of ballet Nijinsky sought after. My methodology therefore combines my embodied knowledge of ballet along with an analysis of literature.
ISSN:2041-1022
1753-8629
DOI:10.3366/mod.2022.0358