Q/F: The Texts of King Lear

Abstract This article argues that dictation in the printing house may account for many of the variants between the 1608 Quarto and the 1623 Folio texts of King Lear. It further argues that the ground-work for this view was established by a series of prior critical studies—including those by Chambers...

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Bibliographic Details
Published inLibrary Vol. 22; no. 1; pp. 3 - 32
Main Author Salkeld, Duncan
Format Journal Article
LanguageEnglish
Published London Oxford University Press 01.03.2021
Oxford Publishing Limited (England)
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Summary:Abstract This article argues that dictation in the printing house may account for many of the variants between the 1608 Quarto and the 1623 Folio texts of King Lear. It further argues that the ground-work for this view was established by a series of prior critical studies—including those by Chambers, Greg, Duthie, Walker, and Stone—which shared a belief that the quarto was a reported text. It also proposes that a manuscript very much like F, but without its theatrical cuts, lies behind the Quarto. A long-standing assumption that the Folio version is somehow derived from the Quarto is shown to be unsafe. The implications of this argument are that Shakespeare did not revise King Lear, and that relatively few of the variants in the Quarto can be authorial.
Bibliography:ObjectType-Article-1
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content type line 14
ISSN:0024-2160
1744-8581
DOI:10.1093/library/22.1.3