“The Things You Don't Choose”: Ethics, Singularity, and Gone Baby Gone (2007)

What remains (to be done) for a subject in the aftermath of an ethical act? This essay argues for a psychoanalytic conception of ethics that refuses to distinguish the act from its aftermath-that is, an ethics understood as a process of perseverance, of ongoing acts of judgment that refer to the pas...

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Bibliographic Details
Published inDiscourse (Berkeley, Calif.) Vol. 39; no. 1; pp. 117 - 139
Main Author Krzych, Scott
Format Journal Article
LanguageEnglish
Published Detroit Wayne State University Press 01.01.2017
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ISSN1522-5321
1536-1810
DOI10.13110/discourse.39.1.0117

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Summary:What remains (to be done) for a subject in the aftermath of an ethical act? This essay argues for a psychoanalytic conception of ethics that refuses to distinguish the act from its aftermath-that is, an ethics understood as a process of perseverance, of ongoing acts of judgment that refer to the past, are made in the present, and are wagered without concern for justification in the future. According to some influential elaborations of ethical theory in film studies, an ethical subject acts beyond, and very likely against, hegemonic norms of social or cultural meaning. Such accounts of ethical theory typically valorize cinematic examples of subjective destitution, associating the ethical with acts of suicide, either literal or figurative. I emphasize instead the creative aspects of ethical repetition that emerge from a subject's attempt to instantiate new modes of meaning making to replace the symbolic networks that have otherwise been dismantled or destroyed.
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ISSN:1522-5321
1536-1810
DOI:10.13110/discourse.39.1.0117