Vilnius: The Gaida Festival, October 2002 (plus recent CD releases of Lithuanian Music)

• Published in: Tempo Vol. 57; no. 224; pp. 47 - 50
• Main Author: Anderson, Martin
• Format: Journal Article Book Review
• Language: English
• Published: Cambridge, UK Cambridge University Press 01.04.2003
• Subjects: Cellos; Composers; Concertos; FIRST PERFORMANCES; Keyboard music; Music education; Music festivals; Musical textures; Opera; Opera houses; Orchestras; Schizophrenia; Solos; String quartets; Vocal music
• ISSN: 0040-2982; 1478-2286
• DOI: 10.1017/S0040298203260150

There's a heartening number of contemporary music festivals in the former Soviet-bloc countries, and in the three Baltic republics in particular: it's as if, after decades of the suppression of modern music – even though less severe there than elsewhere in the USSR – they're all desperate to make up for lost time. The Gaida Festival, founded in 1991 and an annual event in Vilnius in mid-October, is one of the most ambitious: ten concerts in as many days, presenting contemporary Lithuanian composers, usually in first performances, in conjunction with others from further afield (among them this year Saariaho, Tan Dun, Cage, Jan Sandström – with Christian Lindberg astride the ubiquitous Motorbike Concerto – and Gubaidulina). Naturally, such occasions are ragbags, with failures among the successes – but young composers have to be able to hear their miscalculations, and Gaida is commendably generous with its time.