BEHIND THE VEIL OF TRANSLUCENCE: AN INTERTEXTUAL READING OF THE BALLET FANTASTIQUE IN FRANCE, 1831-1841. PART THREE: RESURRECTION, SENSUALITY, AND THE PALPABLE PRESENCE OF THE PAST IN THÉOPHILE GAUTIER'S FANTASTIC

In the third part of a series, Meglin discusses Theophile Gautier's Ballet Fantastique. His dark introspections were often mitigated by witty self-insight.

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Bibliographic Details
Published inDance chronicle Vol. 28; no. 1; pp. 67 - 142
Main Author Meglin, Joellen A.
Format Journal Article
LanguageEnglish
Published New York Taylor & Francis Group 2005
Taylor & Francis, Inc
Taylor & Francis Ltd
Subjects
Analysis
Ballet
Dance
Death
Fairy tales
Gautier, Theophile (Le Bon Theo) (1811-1872)
Nuns
Poetry
Priests
Translucence
Vampires
Waltz
France
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Summary:In the third part of a series, Meglin discusses Theophile Gautier's Ballet Fantastique. His dark introspections were often mitigated by witty self-insight.
Bibliography:ObjectType-Article-2
SourceType-Scholarly Journals-1
ObjectType-Feature-1
content type line 23
ISSN:0147-2526
1532-4257
DOI:10.1081/DNC-200048972