Álvaro Siza on the Role of Models in Architectural Design
Siza’s mastery in freehand drawing is well known, as is his ability to use the sketch to ideate new spaces. Perhaps what is less known is that for him neither drawing nor modelling, nor any other single design tool, including digital ones, is enough, as his methodology depends on the combination and...
Saved in:
Published in | Nexus network journal Vol. 23; no. 4; pp. 817 - 831 |
---|---|
Main Authors | , |
Format | Journal Article |
Language | English |
Published |
Cham
Springer International Publishing
01.12.2021
Springer Nature B.V |
Subjects | |
Online Access | Get full text |
Cover
Loading…
Summary: | Siza’s mastery in freehand drawing is well known, as is his ability to use the sketch to ideate new spaces. Perhaps what is less known is that for him neither drawing nor modelling, nor any other single design tool, including digital ones, is enough, as his methodology depends on the combination and integration of all of them. To watch a creative mind in action is fascinating, and it is not easy to disclose which is the precise role of each tool at a precise moment, but we know, as Siza says, that all these means are mutually supportive, and that architecture emerges from their interaction. To the observer they seem randomly used although they are not. As a matter of fact, it’s a complex process, where the main objective is the production of a qualified space for living, that is, architecture with a capital A. Models are only a piece of this mysterious puzzle. Indispensable, though. |
---|---|
Bibliography: | content type line 23 SourceType-Scholarly Journals-1 ObjectType-Interview-1 |
ISSN: | 1590-5896 1522-4600 |
DOI: | 10.1007/s00004-021-00574-9 |