Vernacular Catholicism in Ireland: The Keening Woman

The relationship between popular vernacular Catholicism and the more official liturgical variety has varied over centuries. Following the subjugation of Ireland by the late 17th century, and the institution of anti-Catholic proscriptions, the number of priests available became more restricted. Relig...

Full description

Saved in:
Bibliographic Details
Published inReligions (Basel, Switzerland ) Vol. 15; no. 7; p. 879
Main Authors Williams, Sean, Ó Laoire, Lillis
Format Journal Article
LanguageEnglish
Published Basel MDPI AG 01.07.2024
Subjects
Catholicism
Colonialism
gender
Hymns
lament
Religion
song
vernacular religion
Women
Ireland
Online AccessGet full text

Cover

More Information
Summary:The relationship between popular vernacular Catholicism and the more official liturgical variety has varied over centuries. Following the subjugation of Ireland by the late 17th century, and the institution of anti-Catholic proscriptions, the number of priests available became more restricted. Religious observation subsequently centered on holy days and local sacred sites including healing wells, many of them dedicated to saints. Always central figures in death rituals, women who mourned the dead—“keening women”—were so called because they lamented the dead through a combination of voice and song. We will show how the songs relate to a deep liminal spirituality that existed semi-independently of official Church norms, and how the voice served to establish their position. In the Catholic revival of the late nineteenth century, such forms were ousted by European modes of worship, but persisted at the margins, allowing us insight into their previous vigor.
ISSN:2077-1444
2077-1444
DOI:10.3390/rel15070879