Canonizing the mundane: narrating and transgressing the Nigerian queer self/selves in Unoma Azuah's Embracing My Shadow and Chike Frankie Edozien's Lives of Great Men

Discussions of LGBTQIA+ rights are still taboo in parts of Africa where traditional and religious values remain significant. As public discussions of queer life can bring about marginalization and threaten personal safety, some Nigerian authors have opted to present literary queer selves. Few studie...

Full description

Saved in:
Bibliographic Details
Published inProse studies Vol. 42; no. 3; pp. 298 - 326
Main Author Chow-Quesada, Emily Shun Man
Format Journal Article
LanguageEnglish
Published Abingdon Routledge 02.09.2021
Taylor & Francis Ltd
Subjects
homosexuality
LGBTQ people
memoir
Nigeria
nonfiction
Queer studies
Online AccessGet full text

Cover

More Information
Summary:Discussions of LGBTQIA+ rights are still taboo in parts of Africa where traditional and religious values remain significant. As public discussions of queer life can bring about marginalization and threaten personal safety, some Nigerian authors have opted to present literary queer selves. Few studies of queer African autobiographical writing have been conducted. This article examines Unoma Azuah's Embracing My Shadow: Growing up Lesbian in Nigeria (2020) and Chike Frankie Edozien's Lives of Great Men: Living and Loving as an African Gay Man (2017) to investigate how the queer self is represented through the mundane. The works are amongst the first to narrate gay and lesbian lives in Nigeria. By canonizing the mundane, Azuah and Edozien describe the dimensions of their lives and their negotiations of sexual, racial, and national identity. The article examines their queer experiences, their reconciliation with parents and family, and how they confront tradition.
ISSN:0144-0357
1743-9426
DOI:10.1080/01440357.2022.2145837