THE BALANCE BEAM AS AN ARTISTIC GYMNASTICS APPARATUS FOR WOMEN: FROM ORIGIN TO CONSOLIDATION

• Published in: Science of gymnastics journal Vol. 15; no. 2; pp. 269 - 284
• Main Authors: Oliveira, Mauricio Santos, Stella Silva de Souza, Anna, Ramires Costa, Andrize, Nunomura, Myrian
• Format: Journal Article
• Language: English
• Published: University of Ljubljana Press (Založba Univerze v Ljubljani) 29.06.2023
• Subjects: Gymnastics; Sport history; Women
• ISSN: 2232-2639; 1855-7171
• DOI: 10.52165/sgj.15.2.269-284

This article seeks to increase the understanding of the historical development of Artistic Gymnastics and, mostly, the women’s participation in this sport. Therefore, through historical research, we analyzed the genesis and the inclusion of balance beam apparatus at the core of this gymnastics discipline. The delimitation of the period ranged from 1896 Olympic Games until the years between 1952 and 1964, which are known by the stabilization of the competitive characteristics of Women's Artistic Gymnastics. We observed that in the beginning, as well as in sport in general, women were excluded from this cultural experience. However, throughout history, we observed that the balance beam became a protagonist of the Artistic Gymnastics becoming a stage for reinforcing as much as to confront what women could or could not do in this gymnastics discipline. Članek želi povečati razumevanje zgodovinskega razvoja orodne telovadbe, zlasti udeležbe žensk v tem športu. Skozi zgodovinsko raziskavo smo razčlenili nastanek in vključitev gredi kot jedrnega dela te telovadne panoge. Obdobje, ki ga proučujemo, sega od olimpijskih iger 1896 do let med 1952 in 1964, ki so znana po utrditvi tekmovalnih značilnosti ženske telovadbe. Opazili smo, da so bile na začetku, tako kot v športu na splošno, ženske iz te kulturne izkušnje izključene. Vendar pa smo skozi zgodovino opazili, da je gred postala predstavnik orodne telovadbe, postala je oder za utrjevanje in soočanje, kaj ženske v tej telovadni panogi smejo in česa ne.