Otpor subjekta u poeziji Branka Čegeca

The article analyses cultural and media traces in Branko Čegec’s poetry. They are researched, described, and interpreted from the perspective of subject structure in the three texts from Čegec’s three poetry collections published in the 1980s – “Genesis (domovina): vazda i dovijeka” from Eros-Europa...

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Bibliographic Details
Published inAnafora Vol. 9; no. 2; pp. 391 - 412
Main Author Jakić, Lucija
Format Journal Article Paper
LanguageCroatian
Published Faculty of Philosophy, Josip Juraj Strossmayer University, Osijek 2022
Filozofski fakultet, Sveučilište Josipa Jurja Strossmayera, Osijek
Filozofski fakultet u Osijeku
Subjects
Croatian Literature
media culture, Branko Čegec, strategies of resistance, lyrical subject
Media studies
medijska kultura, Branko Čegec, strategije otpora, pjesnički subjekt
lyrical subject
Branko Čegec
media culture
strategies of resistance
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Summary:The article analyses cultural and media traces in Branko Čegec’s poetry. They are researched, described, and interpreted from the perspective of subject structure in the three texts from Čegec’s three poetry collections published in the 1980s – “Genesis (domovina): vazda i dovijeka” from Eros-Europa-Arafat, “Abcčćdđdžefghijklmnnjoprsštuvzž” from Zapadno-istočni spol, and “Stanje stvari” from Melankolični ljetopis. The article explores the differences between individual and collective memory (J. Assmann), and the dominant and emergent culture (R. Williams), whereby the text becomes the space in which they clash. Traces of cultures and media are most often observed among the motifs, and their effects are notably in the resistance of subject structures that critically undermine the prevailing discourses of power, primarily through linguistic and discursive games.
Bibliography:291509
ISSN:1849-2339
2459-5160
DOI:10.29162/ANAFORA.v9i2.9