Blank Chance and the Undrawn Emblem
This essay uses Edmund Spenser’s The Faerie Queene (1596) and George Wither’s A Collection of Emblemes, Ancient and Moderne (1635) to investigate the contingencies that fictions can harbor and the ethical demands of the cocreative reading practices they host. Wither’s Collection includes an innovati...
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Published in | Representations (Berkeley, Calif.) Vol. 167; no. 1; pp. 97 - 126 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Berkeley
University of California Press Books Division
01.08.2024
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Subjects | |
Online Access | Get more information |
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Summary: | This essay uses Edmund Spenser’s The Faerie Queene (1596) and George Wither’s A Collection of Emblemes, Ancient and Moderne (1635) to investigate the contingencies that fictions can harbor and the ethical demands of the cocreative reading practices they host. Wither’s Collection includes an innovative “lotterie” game that involves twenty-four poems that do not correspond to any emblem. I trace the uninstantiated possibilities enabled by the inclusion of these “blank chances” in light of early modern poetry’s developing interest in contingency. |
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ISSN: | 0734-6018 1533-855X |
DOI: | 10.1525/rep.2024.167.4.97 |