Effects of Rhythm and Accent Patterns on Tempo-Keeping Property of Finger Tapping

Tempo of music performance is often accelerated irrespective of players’ intention. Though the characteristics of the tempo deviation phenomenon have been investigated using a finger-tapping task, most such studies dealt with tapping with a fixed interval and intensity; few studies considered the ef...

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Bibliographic Details
Published inMusic & science Vol. 7
Main Authors Matsuo, Hiroki, Sakaguchi, Yutaka
Format Journal Article
LanguageEnglish
Published SAGE Publishing 01.08.2024
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Summary:Tempo of music performance is often accelerated irrespective of players’ intention. Though the characteristics of the tempo deviation phenomenon have been investigated using a finger-tapping task, most such studies dealt with tapping with a fixed interval and intensity; few studies considered the effects of rhythm and accent, both important factors of music performance. Here, we asked how different rhythm and accent patterns affected the tempo-keeping property using a synchronization-continuation task paradigm: Participants were asked to keep tapping with reproducing the given rhythm/accent patterns designated by the target tones. Tapping tempo was significantly deviated depending on rhythm/accent patterns, but their magnitudes were only several percent in 150 s, much smaller than those in real music performance. We also ran experiments in the conditions that participants need not reproduce the accent patterns but only response tones were accented. These auditory modulations affected the tempo deviation, implying that perceptual processes induced by the auditory feedback also influence the tempo maintenance. Inter-tap intervals (ITIs) were modulated by the accent pattern, but no clear relationship was observed between ITI fluctuations and long-term tempo deviation, suggesting that different mechanisms are involved. In sum, the present finding shows that non-uniform motor actions required for music articulation can disturb the long-term tempo maintenance but their effect is rather small. We also reported the tempo deviation when the response tone was modulated by loudness (crescendo vs. diminuendo) or pitch (ascending vs. descending).
ISSN:2059-2043
2059-2043
DOI:10.1177/20592043241276959