That hive of subtlety: Retranslation as Criticism, or a New Polish Benito Cereno

• Published in: Przekładaniec : a journal of literary translation no. Sp. Iss.; pp. 68 - 96
• Main Author: Majer, Krzysztof
• Format: Journal Article
• Language: English
• Published: Kraków Jagiellonian University Press 01.01.2023; Wydawnictwo Uniwersytetu Jagielloskiego; Jagiellonian University-Jagiellonian University Press
• Subjects: American literature; Interpreters; Literary criticism; Literary translation; Melville, Herman (1819-1891); Rhetoric; Translation Studies; anxiety of influence; retranslation; agon; Herman Melville; Krystyna KorwinMikke; translation series; American literature
• ISSN: 1425-6851; 1689-1864
• DOI: 10.4467/16891864ePC.23.004.17771

The article focuses on my translation of Herman Melvilles novella Benito Cereno, published recently in a volume entitled Nowele i opowiadania (PIW, 2020), the work of eight translators into Polish. The volume contains new attempts at texts translated forty years earlier by Krystyna Korwin-Mikke; also featured is her own, newly revised translation of Melvilles classic Bartleby, the Scrivener. Finding myself authoring a retranslation for the first time, I became intrigued by the affect accompanying such a belated arrival at the text not within a long, eminent series (in Edward Balcerzans understanding of the term), but where only one previous, more or less canonical translation exists. Taking as my starting point Balcerzans terminology as well as Anna Legeyskas notion of the shared word, I employ the concept of the translators agon, developed from Harold Blooms ideas by Kaisa Koskinen and Outi Paloposki (2015). On the basis of several examples from the field of Polish translations, and concentrating on the rhetorics of paratextual material, I briefly examine the positions that a second translator fated to participate in an agonistic relation may take with regard to his precursor; my examples here are three renowned practitioners: Micha Kobukowski, Krystyna Rodowska and Maciej wierkocki. Because my own experience is bound up with translation practice to a considerably larger degree than with its theoretical aspects, the heart of the article is an analysis of particular strategies in both of the Polish translations of Benito Cereno. I focus on issues such as nomenclature, narrative perspective, grammatical gender, as well as conventional and idiosyncratic metaphors. Exploring my own agonistic relations with Krystyna Korwin-Mikke, I attempt to determine the extent to which I have managed to avoid getting caught up in the affect produced by the uncomfortable yet inspiring consciousness of the first translators voice. The article is an extension of the critical gesture which I consider my retranslation, in itself, to be. Emphasizing the differences in our approach, I a so try to embrace what is shared, and to acknowledge my indebtedness to the precursor.