Establishing counterpoints in the sonic framing of AI narratives

• Published in: Ai and ethics (Online) Vol. 4; no. 3; pp. 679 - 690
• Main Authors: Chubb, Jennifer, Beer, David
• Format: Journal Article
• Language: English
• Published: Cham Springer International Publishing 01.08.2024
• Subjects: Artificial Intelligence; Computer Science; consequences of overinflated and misrepresented AI capabilities and performance; Ethics; manifestations; Original Research; T.C. The Dangers of AI Hype: Examining and countering the causes; Documentary; Narratives; Public understanding; Music; AI; Sound; Culture
• ISSN: 2730-5953; 2730-5961
• DOI: 10.1007/s43681-023-00404-3

In order to challenge dominant representations and conceptions of artificial intelligence (AI), this article explores how AI is sonically represented in documentaries. Using a corpus of documentaries alongside expert interviews with sound designers, we explore the ways in which music and sound may influence perception about AI. The notion of ‘counterpoint’ in music theory is developed as a concept to capture and explain how the integrated dynamics of human/machines are represented within these sonic framings. The concept of the counterpoint allows us to reflect on how the relations between AI and the human and how they are sonically framed in ways that separate and blend without recourse to reductive or binary futures, which potentially misrepresent AI capabilities and performance. The article identifies and develops four types of counterpoint in what we refer to as AI sonic narratives. This article provides a framework from which AI could be sonically framed responsibly, which is critical when misinformation and hype impede the public understanding of science.