Ștefan Angi – the encyclopaedic musicologist

On 2 October 2021 we celebrate one year since the distinguished Hungarian aesthetician, philosopher, musicologist and professor Ștefan Angi from Cluj-Napoca passed away, an opportunity to meditate on this encyclopaedic researcher’s outstanding scientific work. If we go through the studies published...

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Bibliographic Details
Published inArtes, journal of musicology Vol. 25; no. 1; pp. 106 - 119
Main Author Iaţeşen, Loredana
Format Journal Article
LanguageEnglish
Published Sciendo 01.04.2022
Subjects
aesthetics
language
musicology
research methods
rhetoric
stylistics
Ștefan Angi
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Summary:On 2 October 2021 we celebrate one year since the distinguished Hungarian aesthetician, philosopher, musicologist and professor Ștefan Angi from Cluj-Napoca passed away, an opportunity to meditate on this encyclopaedic researcher’s outstanding scientific work. If we go through the studies published in specialised journals ( [ ], [ ] Journal) or books [Music and aesthetics] (1975), [The musicality of aesthetics] (2001), [Models of musical beauty] (2003), [Lectures on musical aesthetics] (2004 – two volumes and four tomes), [From value to meaning] (2005), [ ] (2008), [Flax sieves. Writings on music] (2013), [ ] (2014), [Trifles. Essays] (2018), we observe that his lordship fundamentally contributed to various fields of music research: aesthetics, stylistics, rhetoric, musicology. Starting from the published confessions of those who knew him (Cristina Șuteu, [Thoughts, Words, Acts. Dialogue with Ștefan Angi], interview in [Music news], 2016; Pavel Pușcaș, portrait in [Music] Journal, 2021), we will attempt to comment on some of the volumes of studies or according to the genre of the monograph, in order to emphasize particular features of the musicological writings of researcher Ștefan Angi.
ISSN:2558-8532
2558-8532
DOI:10.2478/ajm-2022-0008