Live electronics or…live music? Towards a critique of interaction

An analysis of interactive sound systems is presented that focuses on space and sound projection, interpretation of electronic sounds, and the relationship between performance and technology. The study begins with the most frequent objections against non-interactive music to show how objections are...

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Bibliographic Details
Published inContemporary music review Vol. 18; no. 3; pp. 41 - 77
Main Author Stroppa, Marco
Format Journal Article
LanguageEnglish
Published Abingdon Taylor & Francis Ltd 01.01.1999
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Summary:An analysis of interactive sound systems is presented that focuses on space and sound projection, interpretation of electronic sounds, and the relationship between performance and technology. The study begins with the most frequent objections against non-interactive music to show how objections are devoid of fundamental reason.
ISSN:0749-4467
1477-2256
DOI:10.1080/07494469900640341