ISLAMIC INFLUENCE ON WOODCARVING MOTIFS IN JOHOR TRADITIONAL MALAY HOUSES

Woodcarving motifs can be influenced by various aspects, including religions and beliefs. Malaysia is known for its cultural diversity and is rich with traditional heritage. Malay is one of the major ethnic groups in Malaysia and is considered as the majority of the country's population, contri...

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Published inJournal of Islamic architecture Vol. 6; no. 4; pp. 313 - 320
Main Authors Yusof, Hanita, Wahab, Izudinshah Abd, Utaberta, Nangkula, Sabil, Azmal, Hanapi, Nur Amalina
Format Journal Article
LanguageEnglish
Published 26.12.2021
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Summary:Woodcarving motifs can be influenced by various aspects, including religions and beliefs. Malaysia is known for its cultural diversity and is rich with traditional heritage. Malay is one of the major ethnic groups in Malaysia and is considered as the majority of the country's population, contributing to the significant heritage, including art, decoration, and even architecture. Traditional woodcarving is an intricate Malay heritage and is the symbol of Malay art. A study on Malay woodcarvings is critically needed in order to know the influence that occurs on the selection of the motifs. It is such a waste to see our woodcarving heritage destroyed unappreciated and undocumented, especially on Johor woodcarvings, as many studies in other states have done. More and more traditional Johor Malay houses are being demolished day by day before we know the historical influence on the existence. The objective of this paper was to identify the woodcarving motifs found in Johor Malay houses and to identify their influence. Site visits were conducted in which the woodcarvings of 50 houses were examined, photographed, and documented. Interviews were also conducted with the house owners and the woodcarvers. The samples were analyzed, and the results were verified by experts. The results show that floral motifs lead the statistic, and the pumpkin motif, known as 'labu maya', takes the highest percentage of the overall motifs. It is concluded that the Islamic religion is the biggest influence that contributes to the findings. The findings also show that the 'labu maya' motif is the identity of the Johor woodcarving motifs. It is hoped that this study can bring recognition to Johor woodcarvings, and contribute valuable guides for woodcarvers to apply these motif typologies into their future works to sustain and cherish the Johor local identity.
ISSN:2086-2636
2356-4644
DOI:10.18860/jia.v6i4.13028