Théâtre(s) sous un crâne Mallarmé et Pessoa (d’Igitur au Faust Tragédie subjective)

The stepping stone of this paper is the explanation of the concept of mental theatre, core to Stéphane Mallarmé’s thought and work, in order to assess the links it establishes with the theatrical concept of ‘extra-vagant’, by Fernando Pessoa, namely in his process of heteronym creation. Its ex-centr...

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Bibliographic Details
Published inCarnets revue electronique d'etudes Françaises Vol. 4; no. Première Série - 4; pp. 191 - 210
Main Author Cabral, Maria de Jesus
Format Journal Article
LanguageEnglish
Published Association Portugaise d'Etudes Françaises 01.01.2012
Subjects
Heteronymism manner
Mallarmé
Mental theatre
Pessoa
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Summary:The stepping stone of this paper is the explanation of the concept of mental theatre, core to Stéphane Mallarmé’s thought and work, in order to assess the links it establishes with the theatrical concept of ‘extra-vagant’, by Fernando Pessoa, namely in his process of heteronym creation. Its ex-centricity shall be equated based on the psycho-pathological element and through the critical concepts of manner and madness as laid down by Gérard Dessons (2004, 2010). The The third part of this paper deals with a comparative approach to Igitur or la Folie d’Elbehnon and Faust, tragédie subjective, both left unfinished and both part of an eclectic gender against any form of positivity.
ISSN:1646-7698
1646-7698
DOI:10.4000/carnets.6975