The Prosthetic Tongue Printing Technology and the Rise of the French Language
Of all the cultural "revolutions" brought about by the development of printing technology during the sixteenth century, perhaps the most remarkable but least understood is the purported rise of European vernacular languages. It is generally accepted that the invention of printing constitut...
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Main Author | |
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Format | eBook |
Language | English |
Published |
University of Pennsylvania Press, Inc
04.10.2019
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Subjects | |
Online Access | Get full text |
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Summary: | Of all the cultural "revolutions" brought about by the
development of printing technology during the sixteenth century,
perhaps the most remarkable but least understood is the purported
rise of European vernacular languages. It is generally accepted
that the invention of printing constitutes an event in the history
of language that has profoundly shaped modernity, and yet the exact
nature of this transformation-the mechanics of the
event-has remained curiously unexamined.
In The Prosthetic Tongue , Katie Chenoweth explores the
relationship between printing and the vernacular as it took shape
in sixteenth-century France and charts the technological
reinvention of French across a range of domains, from typography,
orthography, and grammar to politics, pedagogy, and poetics. Under
François I, the king known in his own time as the "Father of
Letters," both printing and vernacular language emerged as major
cultural and political forces. Beginning in 1529, French underwent
a remarkable transformation, as printers and writers began to
reimagine their mother tongue as mechanically reproducible. The
first accent marks appeared in French texts, the first French
grammar books and dictionaries were published, phonetic spelling
reforms were debated, modern Roman typefaces replaced gothic
scripts, and French was codified as a legal idiom.
This was, Chenoweth argues, a veritable "new media" moment, in
which the print medium served as the underlying material apparatus
and conceptual framework for a revolutionary reinvention of the
vernacular. Rather than tell the story of the origin of the modern
French language, however, she seeks to destabilize this very notion
of "origin" by situating the cultural formation of French in a
scene of media technology and reproducibility. No less than the
paper book issuing from sixteenth-century printing presses, the
modern French language is a product of the age of mechanical
reproduction. |
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ISBN: | 9780812251494 0812251490 |
DOI: | 10.2307/j.ctv16t6d29 |