Zur Intermaterialität geschnitzter Kästen aus Holz Die Imitation von Elfenbein, Seide und Gold im Hoch- und Spätmittelalter

How does materiality affect artistic processes of object creation and reception? This volume examining carved boxes from the High and Late medieval periods deals with interrelations between material and technique. It compiles details of the origin, provenance and function of numerous boxes and also...

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Bibliographic Details
Main Author Leopold, Arne
Format eBook
LanguageGerman
Published Berlin/Boston De Gruyter 2024
SeriesMaterialität und Produktion
Subjects
Online AccessGet full text
ISBN9783111193571
9783111193106
3111193101
3111193578
ISSN2943-5897
DOI10.1515/978311119310

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Summary:How does materiality affect artistic processes of object creation and reception? This volume examining carved boxes from the High and Late medieval periods deals with interrelations between material and technique. It compiles details of the origin, provenance and function of numerous boxes and also embeds production techniques, material preferences and reception aesthetics in the state of contemporary knowledge. One focus is on interactions and transfers of materials. Wood in particular was used to imitate and evoke ivory, silk and gold, which might bring about social rapprochement between the lower nobility and the higher nobility, or between the carving craftsmen and the bourgeoisie. The analysis of intermateriality establishes that materials, forms and techniques cannot be grasped in isolation.
ISBN:9783111193571
9783111193106
3111193101
3111193578
ISSN:2943-5897
DOI:10.1515/978311119310