Hans Haacke und Pierre Huyghe Non-Human Living Sculptures seit den 1960er-Jahren

Since the 1960s, artists have questioned the traditional idea of opposition between art and nature. They have incorporated animals and plants as co-actors in their work, and so established a sculptural aesthetic of the living, which called for a redefinition of the sculptural genre. This study is th...

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Bibliographic Details
Main Author Ströbele, Ursula
Format eBook
LanguageEnglish
German
Published Berlin/Boston De Gruyter 2024
SeriesSchriftenreihe des Studienzentrums zur Moderne – Bibliothek Herzog Franz von Bayern am Zentralinstitut für Kunstgeschichte
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ISBN9783111027111
3111027155
3111027112
9783111027159
DOI10.1515/978311102715

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Summary:Since the 1960s, artists have questioned the traditional idea of opposition between art and nature. They have incorporated animals and plants as co-actors in their work, and so established a sculptural aesthetic of the living, which called for a redefinition of the sculptural genre. This study is the first to examine so-called Non-Human Living Sculptures using the examples of Hans Haacke and Pierre Huyghe. Following a re-reading of the historiography of modernist sculpture, the author re-evaluates and expands on existing theories in individual work analyses. She shows how Haacke’s real-time systems, determined by US systems theory, biology and cybernetics, as well as his rejection of the object aesthetic have shaped contemporary positions such as Huyghe’s situational-aesthetic works.
ISBN:9783111027111
3111027155
3111027112
9783111027159
DOI:10.1515/978311102715