Hans Haacke und Pierre Huyghe Non-Human Living Sculptures seit den 1960er-Jahren
Since the 1960s, artists have questioned the traditional idea of opposition between art and nature. They have incorporated animals and plants as co-actors in their work, and so established a sculptural aesthetic of the living, which called for a redefinition of the sculptural genre. This study is th...
Saved in:
Main Author | |
---|---|
Format | eBook |
Language | English German |
Published |
Berlin/Boston
De Gruyter
2024
|
Series | Schriftenreihe des Studienzentrums zur Moderne – Bibliothek Herzog Franz von Bayern am Zentralinstitut für Kunstgeschichte |
Subjects | |
Online Access | Get full text |
ISBN | 9783111027111 3111027155 3111027112 9783111027159 |
DOI | 10.1515/978311102715 |
Cover
Loading…
Summary: | Since the 1960s, artists have questioned the traditional idea of opposition between art and nature. They have incorporated animals and plants as co-actors in their work, and so established a sculptural aesthetic of the living, which called for a redefinition of the sculptural genre. This study is the first to examine so-called Non-Human Living Sculptures using the examples of Hans Haacke and Pierre Huyghe. Following a re-reading of the historiography of modernist sculpture, the author re-evaluates and expands on existing theories in individual work analyses. She shows how Haacke’s real-time systems, determined by US systems theory, biology and cybernetics, as well as his rejection of the object aesthetic have shaped contemporary positions such as Huyghe’s situational-aesthetic works. |
---|---|
ISBN: | 9783111027111 3111027155 3111027112 9783111027159 |
DOI: | 10.1515/978311102715 |