文化心理劇：「景觀人，人觀景」用於變遷中的華人家庭關係議題

• Published in: Chinese Journal of Guidance & Counseling no. 54; pp. 123 - 158
• Main Authors: 李御儂(Yunung Lee), 賴念華(Nien-Hwa Lai)
• Format: Journal Article
• Language: Chinese
• Published: 台灣 台灣輔導與諮商學會 01.01.2019
• Subjects: Bi-cultural phenomena/conflicts; cannon of creativity; indigenization of counseling psychology; object in the scene (OIS); psychodrama; TSSCI; 創造力準則; 心理劇; 景中物; 諮商本土化; 雙文化現象／困境; 心理劇; 景中物; psychodrama; Bi-cultural phenomena/conflicts; indigenization of counseling psychology; 雙文化現象／困境; 諮商本土化; cannon of creativity; object in the scene (OIS); 創造力準則; TSSCI
• ISSN: 1728-5186
• DOI: 10.3966/172851862019010054005

This study aimed to investigate the group process and effects of a Chinese indigenous psychodramatic model titled, "Seeing from The Scenes; Seeing from The Person". This model was invented to address and resolve relational issues within families arising from the Western-Chinese bi-cultural phenomena/conflicts in contemporary Chinese societies. The bi-cultural phenomena refer to clients ‘struggles between pursuing individual independence and autonomy (modernity) and maintaining relational harmony (traditionality), resulting in their attempts to seek counseling and psychotherapy. Meanwhile, the bi-cultural conflicts emerge in the counseling process from clients' contradictory needs for self-disclosure and self-affirmation (individualismoriented) and simultaneously to save face for selves and others (collectivism-oriented). Inspired by the "cannon of creativity" in psychodramatic theory, researchers developed a ten-step working model based on psychodrama's unique perspectives on time and space. The ten steps inc