From Black Panther to Crazy Rich Asians: How film in 2018 proved that actors of colour do have global appeal
“The unknown mystery studio execs are always demonised, but they are investing millions and millions of dollars and face incredibly high risk and they have one weekend to get it right, and often they can’t,” says Hamish Moseley, head of distribution for Altitude Film Entertainment, a British distrib...
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Published in | The Independent (Online) |
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Main Author | |
Format | Web Resource |
Language | English |
Published |
London
Independent Digital News & Media
30.12.2018
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Subjects | |
Online Access | Get full text |
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Summary: | “The unknown mystery studio execs are always demonised, but they are investing millions and millions of dollars and face incredibly high risk and they have one weekend to get it right, and often they can’t,” says Hamish Moseley, head of distribution for Altitude Film Entertainment, a British distribution and production company. Some industry veterans say that while studios’ international distribution branches know how to market big franchise films, they are not always as well suited for the kind of marketing that films with nonwhite casts might require. Jan Naszewski, owner of New Europe Film Sales, a distributor in Warsaw, says of the studios: “The only thing they do is carpet bombing, paint-by-numbers marketing. |
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