Apocalyptic Animation: In the Wake of Hiroshima, Nagasaki, Godzilla and Baudrillard
Jean Baudrillard is not only a thinker of animation-of the at once life and motion of people and things, subjects and objects, the mass and the media (including film), thought and the world-and of the animatic processes-processes of Seduction, Illusion, Evil, radical irreconcilability, reversibility...
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Published in | International journal of Baudrillard studies Vol. 11; no. 2 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
01.05.2014
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Subjects | |
Online Access | Get full text |
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Summary: | Jean Baudrillard is not only a thinker of animation-of the at once life and motion of people and things, subjects and objects, the mass and the media (including film), thought and the world-and of the animatic processes-processes of Seduction, Illusion, Evil, radical irreconcilability, reversibility-in which they are caught-but an animatic thinker of them, which means his work not only fictions but performs, not only reanimates but seduces. Of course, this means that all that I say about and after Baudrillard is likewise fictional and performative. Adapted from the source document. |
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Bibliography: | ObjectType-Article-1 SourceType-Scholarly Journals-1 content type line 23 ObjectType-Feature-2 |
ISSN: | 1705-6411 1705-6411 |