Recent acquisitions : reconsidering the "Crucifixion" by Annibale Carracci
In the last decade, the Yale University Art Gallery has expanded its holdings of Italian art from the late 16th to the 18th century through noteworthy acquisitions in painting and, more recently, sculpture. Richard Feigen generously donated the "Crucifixion" by Annibale Carracci, a paintin...
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| Published in | Bulletin - Yale University Art Gallery pp. 64 - 69 |
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| Main Author | |
| Format | Journal Article |
| Language | English |
| Published |
01.01.2014
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| Online Access | Get more information |
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| Abstract | In the last decade, the Yale University Art Gallery has expanded its holdings of Italian art from the late 16th to the 18th century through noteworthy acquisitions in painting and, more recently, sculpture. Richard Feigen generously donated the "Crucifixion" by Annibale Carracci, a painting that represents a high point in the expansion of Italian Baroque within the collection, due to its tranquil yet arresting beauty and its significance within Annibale's oeuvre. [Publication Abstract] |
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| AbstractList | In the last decade, the Yale University Art Gallery has expanded its holdings of Italian art from the late 16th to the 18th century through noteworthy acquisitions in painting and, more recently, sculpture. Richard Feigen generously donated the "Crucifixion" by Annibale Carracci, a painting that represents a high point in the expansion of Italian Baroque within the collection, due to its tranquil yet arresting beauty and its significance within Annibale's oeuvre. [Publication Abstract] |
| Author | D'Agostino, Paola |
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