The Making of Oliver Cromwell

At one especially dramatic moment, Cromwell crests the ridge at Langport, Somerset and takes in the view of the Somerset levels, recognizing a miniature version of his native Fens (277)-Hutton's observation is characteristically acute, both in terms of topography and in the sense of narrative t...

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Published inSeventeenth-century news Vol. 80; no. 3/4; pp. 146 - 150
Main Author Allsopp, Niall
Format Journal Article
LanguageEnglish
Published College Station Seventeenth-Century News 01.10.2022
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Abstract At one especially dramatic moment, Cromwell crests the ridge at Langport, Somerset and takes in the view of the Somerset levels, recognizing a miniature version of his native Fens (277)-Hutton's observation is characteristically acute, both in terms of topography and in the sense of narrative theatre, as anyone who regularly bursts through this very vista on the Great Western railway line can attest. On the one hand, Hutton's conclusion suggests, persuasively, that by 1646 the full complexity of Cromwell's nature had been revealed: "courageous, devout, resolute, principled, intelligent, eloquent, able, adaptable and dedicated, but also self-seeking, unscrupulous, dishonest, manipulative, vindictive and bloodthirsty" (338). [...]Hutton slightly undercuts this by frequently writing as if Cromwell had arrived fully-formed from the beginning: doubtful anecdotes about his student life are dismissed because they "could have been deduced anyway from his later character" (19). All of Cromwell's greatest hits are here-for instance, electrifying the Commons with his tearful defence of John Lilburne, specks of blood visible on his collar from a shaving accident (62)-but Hutton, persuasively, emphasizes the element of politician's performance in such occasions.
AbstractList At one especially dramatic moment, Cromwell crests the ridge at Langport, Somerset and takes in the view of the Somerset levels, recognizing a miniature version of his native Fens (277)-Hutton's observation is characteristically acute, both in terms of topography and in the sense of narrative theatre, as anyone who regularly bursts through this very vista on the Great Western railway line can attest. On the one hand, Hutton's conclusion suggests, persuasively, that by 1646 the full complexity of Cromwell's nature had been revealed: "courageous, devout, resolute, principled, intelligent, eloquent, able, adaptable and dedicated, but also self-seeking, unscrupulous, dishonest, manipulative, vindictive and bloodthirsty" (338). [...]Hutton slightly undercuts this by frequently writing as if Cromwell had arrived fully-formed from the beginning: doubtful anecdotes about his student life are dismissed because they "could have been deduced anyway from his later character" (19). All of Cromwell's greatest hits are here-for instance, electrifying the Commons with his tearful defence of John Lilburne, specks of blood visible on his collar from a shaving accident (62)-but Hutton, persuasively, emphasizes the element of politician's performance in such occasions.
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Snippet At one especially dramatic moment, Cromwell crests the ridge at Langport, Somerset and takes in the view of the Somerset levels, recognizing a miniature...
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SubjectTerms Biographies
Historians
Persuasion
Politics
Religion
Title The Making of Oliver Cromwell
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