Haydn Die Schöpfung
Over time, as the oratorio became accepted in England, it became clear that van Swieten's English translation was increasingly uncomfortable, and many attempts have been made to provide a better text. The new publication, with its reduced instrumentation, has a wind and brass group of 8 players...
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Published in | Haydn Society of Great Britain no. 39; pp. 38 - 39 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Aldcliffe
Haydn Society
01.01.2020
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Subjects | |
Online Access | Get full text |
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Abstract | Over time, as the oratorio became accepted in England, it became clear that van Swieten's English translation was increasingly uncomfortable, and many attempts have been made to provide a better text. The new publication, with its reduced instrumentation, has a wind and brass group of 8 players (2.1.1.1. Joe Hickman, the arranger, chooses the oboe rather than the clarinet for this role, which is surprising given their differing tone qualities and the need to achieve the best possible blend. |
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AbstractList | Over time, as the oratorio became accepted in England, it became clear that van Swieten's English translation was increasingly uncomfortable, and many attempts have been made to provide a better text. The new publication, with its reduced instrumentation, has a wind and brass group of 8 players (2.1.1.1. Joe Hickman, the arranger, chooses the oboe rather than the clarinet for this role, which is surprising given their differing tone qualities and the need to achieve the best possible blend. |
Author | McCaldin, Denis |
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Title | Haydn Die Schöpfung |
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