Michelangelo’sSlavesand the Gift of Liberty

Sometime between 1544 and 1550, Michelangelo gave two sculptures, theRebellious Slaveand theDying Slave, to Roberto Strozzi, a fellow Florentine resident in Rome. Although the gift ostensibly signified gratitude for Strozzi’s hospitality during the artist’s convalescence from a grave illness, it had...

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Published inRenaissance quarterly Vol. 65; no. 4; pp. 1029 - 1059
Main Author Ruvoldt, Maria
Format Journal Article
LanguageEnglish
Published The Renaissance Society of America 01.12.2012
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Abstract Sometime between 1544 and 1550, Michelangelo gave two sculptures, theRebellious Slaveand theDying Slave, to Roberto Strozzi, a fellow Florentine resident in Rome. Although the gift ostensibly signified gratitude for Strozzi’s hospitality during the artist’s convalescence from a grave illness, it had strong political undertones. Shortly after receiving this extraordinary present, Strozzi, most likely with Michelangelo’s consent, gave the sculptures away, presenting them to the King of France as part of an effort to persuade him to intervene on behalf of the Florentine Republic in its final struggle against Medici rule. Michelangelo’s loyalties, both personal and political, were simultaneously revealed and concealed in this act of calculated generosity. This article situates the gift within the context of Michelangelo’s habits of gift-giving, his networks of kinship, and the complicated politics of the 1530s and ’40s.
AbstractList Sometime between 1544 and 1550, Michelangelo gave two sculptures, theRebellious Slaveand theDying Slave, to Roberto Strozzi, a fellow Florentine resident in Rome. Although the gift ostensibly signified gratitude for Strozzi’s hospitality during the artist’s convalescence from a grave illness, it had strong political undertones. Shortly after receiving this extraordinary present, Strozzi, most likely with Michelangelo’s consent, gave the sculptures away, presenting them to the King of France as part of an effort to persuade him to intervene on behalf of the Florentine Republic in its final struggle against Medici rule. Michelangelo’s loyalties, both personal and political, were simultaneously revealed and concealed in this act of calculated generosity. This article situates the gift within the context of Michelangelo’s habits of gift-giving, his networks of kinship, and the complicated politics of the 1530s and ’40s.
Author Ruvoldt, Maria
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Snippet Sometime between 1544 and 1550, Michelangelo gave two sculptures, theRebellious Slaveand theDying Slave, to Roberto Strozzi, a fellow Florentine resident in...
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SubjectTerms Bronzes
Brothers
Cartoons
Contracts
Exile
Palaces
Sculptors
Sieges
Sons
Statues
Studies
Title Michelangelo’sSlavesand the Gift of Liberty
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Volume 65
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